By Mele Martinez
I’ve seen a phenomenon of fearlessness in many young people, but I’m pretty sure that I never suffered from that condition. I was born scared. Ask anyone who knew me as a kid, and they will confirm it. I was always scared to jump in the pool, scared to go down the slide, scared to ride my bike down the hill. What I considered being cautious was actually an unwillingness to “go for it.” In essence, I was a big baby.
I’ve seen a phenomenon of fearlessness in many young people, but I’m pretty sure that I never suffered from that condition. I was born scared. Ask anyone who knew me as a kid, and they will confirm it. I was always scared to jump in the pool, scared to go down the slide, scared to ride my bike down the hill. What I considered being cautious was actually an unwillingness to “go for it.” In essence, I was a big baby.
When it came time for me to stop being the baby and actually
have a baby of my own, things got chaotic.
As Jason and I found out that we were going to have our first child,
Lola, the fear that had always lived in me played itself out like a drum
set. I had horrible nightmares. I had daily anxiety. I was terrified of carrying, bearing, and
rearing a kid. I know I’m not alone in experiencing
this phenomenon. Even for the most
adventurous woman, becoming a mom is pretty scary stuff.
Likewise, flamenco can be pretty scary for me too. Though I’ve never been completely disabled by
a fear of dance or being on stage (ironically enough), I face the challenge the
art form presents to each and every artist. Sometimes, choosing to do flamenco
can feel like you’ve dropped yourself into foreign waters without a life
preserver. And though teaming with the
most amazing and beautiful creatures, forces, and experiences, those waters can
look pretty dark from shore.
As most of you probably know, Jason and I have drifted from
yet another shore. We are about to have
our second child. The fact that this one
comes nearly nine years after our first should be testament alone to the kind
of fears I’ve had about being a mom. But
the way in which we came to have this child is not the same nightmare-riddled encounter
that we had the first time. Things are
different this time, and I want to tell you why.
I have something now that I didn’t have much of just years
ago. I have something now that makes
everything unlike before. Somehow and
somewhere through this past decade I have acquired a glorious thing –
faith. Even though I knew Jason and I
weren’t in a financial situation to have another baby, even though I knew I was
getting older and there could be complications, and even though I knew it would
probably turn our day to day lives upside down, I knew we could have another
baby. I had faith that God would see us
through it – from beginning to end.
Jason and I made the decision to go out on this shaky limb – not because
we were looking to fall, but because out on a limb is where the fruit is. Someone was talking to my heart, and wouldn’t
let up. I listened this time, and
instead of walking away with my tail between my legs, I accepted the proposal. In just a few weeks, we get to see that
proposal in the flesh – in the form of a baby girl.
As joyous as this whole thing is, I don’t want to begin to
sugar coat it. Though I’m very happy to
be expanding our family, I’m not exactly walking on pillowy clouds all
day. In fact, walking has literally
become one of my biggest challenges. Now
that I am pregnant, it seems like every single step counts for so much more
than it used to. Each step is either a testament to my strength or an example of my imbalance. These days, I think twice about every step I
take; I pay so much more attention to it than I ever have. If I could be dancing right now, I know that
each of those steps would take such careful consideration, I might not be able
to do more than the simplest of movements.
But isn’t that the labor of flamenco for everyone?
When we step out onto the stage or into the studio, we have
already made the decision to go out on that limb. It took courage just to take that first
step. Then, when we begin to move or
play or sing, we have to make split second decisions about how much we will keep
under our control, and how much we will risk.
The balance, when found, is such a sweet and savory thing to
behold. I’ve seen dancers do it. I’ve seen singers and musicians do it. It is such a miracle in the making that I
often weep with adoration for the artist who can take care of each step and
still manage to take risks. It proves
their faith, and faith is a wondrous thing to watch in action.
In about a year, when this new daughter of ours starts to take her own, I
hope to teach her to carefully choose her steps and to exercise the wisdom of
a seasoned chess player with each move she makes. But I also hope to teach her that sometimes she will need to do more than take steps on solid ground; she will need to realize that fear can literally cripple her, but that afflictions can be relinquished by leaping out boldly in faith. Her reward, I know, will be sweet. I relish in the promise of those baby steps to come, and the proof that faith is for everyone.
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